Triple Crown band, McCafferty, have released a new music video for “Paper, Plastic, Copyright” which Trendsetter is happy to be a part of!
Watch here: https://youtu.be/Gf3tpU4-P54
McCafferty have just released their new music video for “Paper, Pencil, Copyright.” The video, directed by Michael Parks Randa and Eric Teti, exemplifies the band’s signature mix of dynamic energy and youthful fun. “Paper, Pencil, Copyright” comes from the band’s new record Yarn, out now on Triple Crown Records. The album is available for purchase now via Triple Crown Records, and is streaming on Spotify, Apple Music and across all digital platforms. McCafferty are on a full US tour now with Moose Blood and Lydia. A full list of dates can be found below.
“Confronts failed relationships in a dark, dynamic way, quite different from anything McCafferty have done before” – Alternative Press
“A powerful reminder of their scintillating craft.” – GoldFlakePaint
“An exciting and cathartic listen from start to finish.” – The Prelude Press
Yarn Tracklisting
1. Loser.
2. Paper, Pencil, Copyright
3. Yarn
4. Strain
5. Sauerkraut
6. Scotland
7. Mary Z
8. Windmill
9. It’s A
10. Westboro Sadness
11. Prolly
12. TOEWGMO
Tour Dates:
03/27 – Houston, TX – White Oak Music Hall
03/28 – Austin, TX – Scoot Inn
03/29 – Dallas, TX – Gas Monkey Bar N’ Grill
03/31 – Mesa, AZ – Nile Theater
04/02 – San Diego, CA – Quartyard
04/03 – Los Angeles, CA – Regent Theater
04/04 – San Fransisco, CA – Slim’s
04/06 – Portland, OR – Hawthorne Theater
04/07 – Seattle, WA – El Corazon
04/09 – Salt Lake City, UT – The Complex
04/10 – Denver, CO – The Summit Music Hall
04/12 – Burnsville, MN – The Garage
04/13 – Chicago, IL – House Of Blues
04/14 – Detroit, MI – Saint Andrews Hall
04/15 – Cleveland, OH – The Agora Ballroom
04/17 – Buffalo, NY – Town Ballroom
04/18 – Toronto, ON – Phoenix Convert Theatre
04/19 – Montreal, QC – Fairmont Theater
Bio:
No matter how far they might stray, McCafferty always seem to find their way back.
Four years ago, just as the Ohio-based quartet—singer/guitarist Nick Hartkop, guitarist Evan Graham, bassist Chris Joecken and drummer Wes Easterly—were building steam with their sweat-soaked, highly caffeinated blend of emo and punk, they abruptly put their musical aspirations on pause. But even though McCafferty disappeared, they ultimately lived on through their songs.
“I had to keep taking the music down off the internet,” says Hartkop, who formed McCafferty as a solo acoustic project in 2010 and became a special education teacher during the band’s hiatus. “My students were asking me, ‘What’s this song about?’ It just didn’t fit with my professional life. But the band really started to grow when it was broken up. So many people have come up to me and told me they discovered us when we weren’t a band. I don’t know how it happened.”
One listen to Yarn, the band’s second LP and debut release for Triple Crown Records, and it’s pretty clear: McCafferty’s music does more than just entertain with its raucous energy and infectious melodies—it challenges listeners by exploring the ugliness of the world at large and lends a comforting hand to those with nowhere else to turn.
It’s that connection with their audience that’s actually responsible for McCafferty’s second act in the first place. At the urging of a fan, a crowd-funded campaign allowed the band to record and release their comeback EP, 2017’s Thanks. Sure. Sorry., which reintroduced the scene to McCafferty after their hiatus and earned the band recognition in outlets like Alternative Press. Now, with a new fire and full-time mentality (before reuniting, the band had played a whopping six shows ever), they’ve stretched themselves further than ever on Yarn.
Produced by Mike Sapone (Taking Back Sunday, Sorority Noise), Yarn is an emotional bottle rocket set to blow: songs of failure, fear and fatigue that mine difficult emotions and weighty subject and put them on display with little hesitance or second-guessing. From “Westboro Sadness,” written in response to the Steubenville football rapes, to tales of death, divorce and more, the album is an oft-uncomfortable—yet deeply important—companion for these troubled times.
“I’m a massive Stephen King fan,” Hartkop explains. “He said in order to get this sense of horror across, you have to make your reader uncomfortable—but you have to do it with purpose. If you just do it for the sake of making someone uncomfortable, that’s just you being an asshole. If I were writing lyrics with shock value in mind, the art would be worthless. Sometimes the world, especially the time we live in today, can be jarring and a little scary. If you censor yourself, you’re not being honest to your art.”
That honesty is ultimately what has endeared McCafferty to their hyper-devoted audience, the one who kept them alive during the dormant years and pushed them to find their voice again. Above all, it’s proof of just how much the music means to their fans—and, for that matter, to the band themselves.
“One of the definitions of ‘yarn’ is a long, rambling story that is incoherent and just sort of goes on,” Hartkop explains. “I think that really defines McCafferty. No matter how many times we tried to put it down, it’s come back up. The band wasn’t done with us. It was calling us back for a reason.”
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